every now and then. I've had a few beading situations lately that have made me get out of my comfort zone.
The latest was with one of the cabochons
Lisa Peters sent me for "bezeling and bailing." It was one of the gorgeous new hexagon cabs she's been making. While I'm the proud owner (read: hoarder) of several of these, I hadn't mustered the beading courage to work with them.
Lisa's request left me no excuses!
I started with the backing, which I wanted to have fully beaded this time. Two completely failed and "domed" hexagons later, I was ready to cry. But then I remembered this wonderful pendant by my flickr buddy Gerlinde (aka geometricjewels)

It consists of six peyote triangles (yes those very same triangles I'm obsessed with!), so it seemed like the logical solution for covering a hexagonal shape. Gerlinde has warned that this combination results in a slight waviness, but that struck me as an acceptable risk. The result:

Not bad for the backside of a pendant, eh? ;o
The front was another matter altogether, however. I thought that simple symmetrical decreases would result in a perfect bezel. (I didn't have 15s in the right colors, so I really did need the decreases, by the way.) In theory, yes. In reality, no.
Because this cab was made by the wonderful hands of Lisa Peters rather than by a precision die-cut machine, it is not (and should not be!) perfectly symmetrical...which resulted in the need for different decreases at every corner and uneven/slanted coverage.
If you know me at all, you know that I don't deal well with failure. It's not in my nature. My husband saw absolutely nothing wrong with this and most people would probably agree. I, on the other hand, was distraught. I contacted Lisa to see if this would be acceptable to her (she was, after all, the client) but let her know that I wasn't happy. She suggested that I bead "into the cab" and even sent me a beautiful sketch, but that would have meant covering part of the incredible glaze that makes this piece so beautiful. Instead, her suggestion managed to kick me out of my little box enough to do this:
A few peridot and aquamarine gem chips and the problem of symmetry is solved because it is tossed aside completely :D I'm happy; she's happy. A challenge can be a very good thing.
In the meantime, another beady friend (who tends to prefer her anonymity otherwise I would name her -- you know who you are!) has sent me instructions for two more approaches to peyote hexagons that might work for the next cab. I'll let you know ;0
Lisa has sent me two of the most gorgeous cabs you will ever see (I'm serious!) to create substantial necklaces for Bead & Button this summer. The special seed beads for one of these just arrived, but they will have to wait a little until I can get to them next month...
And because life would be rather dull without a challenge around every other corner, I recently agreed to a collaboration with Eve Lynch (aka
Kraken Mosaics) a mosaic artist whom I have admired for some time. Eve asked if I could work with a custom cabochon/pendant she made to create a neckpiece that will go on exhibit in the UK this summer.
Here's a sneak preview of the cab.

I will document the work in progress for this project. I'm still at the pulling beads and brainstorming stage, but I have a pretty tight deadline here and so will get started with the actual "work" next week.
And, as if this weren't enough on the challenge front, this arrived last week as well:

Cécile of
MlleHyena had contacted me last year about possible collaboration, and now she has sent me this beautiful piece of freeform crochet. Wow.
It is such an honor to have these amazing artists reach out and ask me to work with them. I'm quite floored by it. As you can see, I'm in no danger of encountering boredom any time soon.
Be well and get going on this beautiful first full day of Spring 2009!